This week we review the another two chapters in Rosenberg’s Myth of the 20th Century.
3 thoughts on “Manifest Destiny Show 111: Race As Will And Representation”
Brilliant. You have great minds on this program. Able to articulate difficult concepts with impressive ease. Second to none. Thank you. I’m listening to your #4 show on ((( Christianity))) now. You’ve put in to words what I came to conclude on my own, which was excruciating, but necessary. Again, thank you.
The Greek obsession isn’t necessarily about Oriental enough for Nordics to approach it on its own terms in my opinion. Classical/Golden Age Greeks are firmly rooted in what one might call the Aryan “Heroic Mythos”. Figures such as Heracles immediately come to mind. But there were many Heroons/Shrines dedicated to a myriad of heroes/demigods both local and regional. Obviously there were Nordics among these people. What is the Return of the Heraclidae? That time period was an interesting transitional age where a mixture of Aryan and Pelasgian culture kind of diverged and flowered in different ways and I almost see a sort of proto-National Socialism in some of the great ideals of the Poleis, just as one might see some proto-Universalist(Christian) ideas from Socrates. Or even some proto-Communism in things like Ekklesiazousai by Aristophanes. Think about the Heroes of that time, men like Pelopidas, Philopoemon, Timoleon, or even a Brasidas. So the Hero mythos is why I think there was such a 19th century obsession with the Hellenic period. Not exclusively of course, obviously some Renaissance influence as well, and perhaps other reasons. I think there will always be an Aryan affection for heroes. It’s part of the racial soul.
I agree with your frustrations about the Aryan man being caged by Christian thought and representing himself through these biblical stories. But there is a good amount of practically unknown European artists that did beautiful paintings that were not explicitly Christian throughout the 19th and 18th centuries. An interesting but inactive JewTube channel I used to look at is called Faces of Ancient Europe and he showcases a myriad of very good Aryan art, not saying you’re wrong, but maybe listeners might enjoy it as I have. One that was very moving to me was the Abandoned by Henningsen. These were real people, our people. Check out the Skagen painters for more incredible painting that is underappreciated.
I would love to see the panel do a special show at some park and call everyone Niggers there. Maybe put it on a tee shirt, I heard the tee shirt money was pretty good.
Thanks for the discussion, I always learn something. I wish you guys would do this show 3-4 times a week for 2-3 hours.
Brilliant. You have great minds on this program. Able to articulate difficult concepts with impressive ease. Second to none. Thank you. I’m listening to your #4 show on ((( Christianity))) now. You’ve put in to words what I came to conclude on my own, which was excruciating, but necessary. Again, thank you.
Appreciate that Lisa.
The Greek obsession isn’t necessarily about Oriental enough for Nordics to approach it on its own terms in my opinion. Classical/Golden Age Greeks are firmly rooted in what one might call the Aryan “Heroic Mythos”. Figures such as Heracles immediately come to mind. But there were many Heroons/Shrines dedicated to a myriad of heroes/demigods both local and regional. Obviously there were Nordics among these people. What is the Return of the Heraclidae? That time period was an interesting transitional age where a mixture of Aryan and Pelasgian culture kind of diverged and flowered in different ways and I almost see a sort of proto-National Socialism in some of the great ideals of the Poleis, just as one might see some proto-Universalist(Christian) ideas from Socrates. Or even some proto-Communism in things like Ekklesiazousai by Aristophanes. Think about the Heroes of that time, men like Pelopidas, Philopoemon, Timoleon, or even a Brasidas. So the Hero mythos is why I think there was such a 19th century obsession with the Hellenic period. Not exclusively of course, obviously some Renaissance influence as well, and perhaps other reasons. I think there will always be an Aryan affection for heroes. It’s part of the racial soul.
I agree with your frustrations about the Aryan man being caged by Christian thought and representing himself through these biblical stories. But there is a good amount of practically unknown European artists that did beautiful paintings that were not explicitly Christian throughout the 19th and 18th centuries. An interesting but inactive JewTube channel I used to look at is called Faces of Ancient Europe and he showcases a myriad of very good Aryan art, not saying you’re wrong, but maybe listeners might enjoy it as I have. One that was very moving to me was the Abandoned by Henningsen. These were real people, our people. Check out the Skagen painters for more incredible painting that is underappreciated.
I would love to see the panel do a special show at some park and call everyone Niggers there. Maybe put it on a tee shirt, I heard the tee shirt money was pretty good.
Thanks for the discussion, I always learn something. I wish you guys would do this show 3-4 times a week for 2-3 hours.